Mehdi Azimi Mirabadi: The production of Khaleda works and the invasion of the international arena are the priorities of resistance cinema

Mehdi Azimi Mirabadi, an actor, producer, and cinema expert, in an interview with the public relations of the 18th International Resistance Film Festival, emphasized the importance of producing high-quality works and presenting them appropriately in the international arena, and considered these two to be the main priorities for mainstreaming resistance cinema. Referring to the necessity […]

A transformation in resistance cinema; the permanent secretariat of the International Resistance Film Festival begins its work

Mohammad Hossein Esmaeili, the screening director of the 18th International Resistance Film Festival, announced in an exclusive interview the programs of this period, the long-term goals of the permanent secretariat of the festival, and the expansion of the screening network at the national and international levels. He described this event as a platform for exploiting […]

End of the Origin Cup Competition; Introducing the Winners of Media Content Production with a Focus on Artificial Intelligence

According to the public relations report of the 18th International Resistance Film Festival, the Origin Cup, an innovative competition in the field of producing media works using artificial intelligence, concluded its work with the introduction of its winners. The competition, which aimed to discover and support creative talents, began on December 19, 1403, and continued […]

Shafi Aghamohamedian: Breaking stereotypes is a condition for the success of the Resistance Film Festival

Shafi Aghamohammadian, director and screenwriter, emphasized the need to transcend the daily routine in resistance cinema and said: “The International Resistance Film Festival must become a trend-setter with independent policies and up-to-date cultural goals.” According to him, this festival is a valuable opportunity to enlighten and establish communication with the general public and jihadists, but […]